Winner of the National Book Critics Circle Award
National Book Award Finalist

A new American classic from the Pulitzer Prize-winning author of Gilead and Housekeeping

Marilynne Robinson, one of the greatest novelists of our time, returns to the town of Gilead in an unforgettable story of a girlhood lived on the fringes of society in fear, awe, and wonder.
Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church-the only available shelter from the rain-and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security.
Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on the run, living hand to mouth with nothing but their sisterly bond and a ragged blade to protect them. Despite bouts of petty violence and moments of desperation, their shared life was laced with moments of joy and love. When Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves.
Revisiting the beloved characters and setting of Robinson’s Pulitzer Prize-winning Gilead and Home, a National Book Award finalist, Lila is a moving expression of the mysteries of existence that is destined to become an American classic.

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An Amazon Best Book of the Month, January 2015: Intersecting,  overlapping, not-quite-what-they-seem lives. Jealousies and betrayals and wounded hearts. A haunting unease that clutches and won’t let go. All this and more helps propel Paula Hawkins’s addictive debut into a new stratum of the psychological thriller genre. At times, I couldn’t help but think: Hitchcockian. From the opening line, the reader knows what they’re in for: “She’s buried beneath a silver birch tree, down towards the old train tracks…” But Hawkins teases out the mystery with a veteran’s finesse. The “girl on the train” is Rachel, who commutes into London and back each day, rolling past the backyard of a happy-looking couple she names Jess and Jason. Then one day Rachel sees “Jess” kissing another man. The day after that, Jess goes missing. The story is told from three character’s not-to-be-trusted perspectives: Rachel, who mourns the loss of her former life with the help of canned gin and tonics; Megan (aka Jess); and Anna, Rachel’s ex-husband’s wife, who happens to be Jess/Megan’s neighbor. Rachel’s voyeuristic yearning for the seemingly idyllic life of Jess and Jason lures her closer and closer to the investigation into Jess/Megan’s disappearance, and closer to a deeper understanding of who she really is. And who she isn’t. This is a book to be devoured. -Neal Thompson
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The publishers of Chris Cleave’s new novel “don’t want to spoil” the story by revealing too much about it, and there’s good reason not to tell too much about the plot’s pivot point. All you should know going in to Little Bee is that what happens on the beach is brutal, and that it braids the fates of a 16-year-old Nigerian orphan (who calls herself Little Bee) and a well-off British couple–journalists trying to repair their strained marriage with a free holiday–who should have stayed behind their resort’s walls. The tide of that event carries Little Bee back to their world, which she claims she couldn’t explain to the girls from her village because they’d have no context for its abundance and calm. But she shows us the infinite rifts in a globalized world, where any distance can be crossed in a day–with the right papers–and “no one likes each other, but everyone likes U2.” Where you have to give up the safety you’d assumed as your birthright if you decide to save the girl gazing at you through razor wire, left to the wolves of a failing state. —Mari Malcolm

From Bookmarks Magazine

Chris Cleave’s Little Bee works because the unflinching, brutal story balances an outwardly political motive with rich, deep character development (and even some welcome humor), focusing narrowly on events before broadening to reveal some larger truths. Cleave’s firm grasp of human nature and his unsparing disdain for injustice allow him to articulate lives as different as those of Little Bee and the less-likeable Sarah; both characters, though, are unforgettable. Comparisons between Cleave and fellow Brits Ian McEwan and John Banville are apt. The only dissent came from the San Francisco Chronicle, which took issue with the narrative voices and the rushed pace of the story. All others agreed, however, that Cleave’s sophomore effort is, as the Chicago Sun-Times succinctly put it, “a loud shout of talent.”
Copyright 2009 Bookmarks Publishing LLC

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For nearly a century, the original version of Upton Sinclair’s classic novel has remained almost entirely unknown. When it was published in serial form in 1905, it was a full third longer than the censored, commercial edition published in book form the following year. That expurgated commercial edition edited out much of the ethnic flavor of the original, as well as some of the goriest descriptions of the meat-packing industry and much of Sinclair’s most pointed social and political commentary. The text of this new edition is as it appeared in the original uncensored edition of 1905. It contains the full 36 chapters as originally published, rather than the 31 of the expurgated edition. A new foreword describes the discovery in the 1980s of the original edition and its subsequent suppression, and a new introduction places the novel in historical context by explaining the pattern of censorship in the shorter commercial edition.

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Daniel James Brown
Pan Macmillan UK, Jun 1, 2013 – Biography & Autobiography – 320 pages

Cast aside by his family at an early age, abandoned and left to fend for himself in the woods of Washington State, young Joe Rantz turns to rowing as a way of escaping his past.

What follows is an extraordinary journey, as Joe and eight other working-class boys exchange the sweat and dust of life in 1930s America for the promise of glory at the heart of Hitler’s Berlin. Stroke by stroke, a remarkable young man strives to regain his shattered self-regard, to dare again to trust in others – and to find his way back home. Told against the backdrop of the Great Depression, The Boys in the Boat is narrative non-fiction of the first order; a personal story full of lyricism and unexpected beauty that rises above the grand sweep of history, and captures instead the purest essence of what it means to be alive.

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A Prayer for Owen MeanyJohn Irving; Ballantine Books 1997WorldCat•Read Online•LibraryThing•Google Books•BookFinder